On CBC, this is what they have been doing with World Cup/FIS ski events. The casual viewer wouldn't notice.
Edit- This was also the case with the Korean League baseball games that were being carried by ESPN last Spring.
You obviously know more about this than I, but I’m still confused. Ray Hudson and Phil Schoen call games from thousands of miles away every week. Are you saying that model isn’t scalable for the olympics?
You’re an industry professional, so I defer to your knowledge. I’m just surprised that’s the case.
It's not about me commentating from home - I'm doing that already. Seven middle-of-the-night WTA tennis matches coming up from Melbourne in a four-day stretch starting on Saturday night/Sunday morning, in fact! But to commentate from home on the WTA, DAZN (the company in charge of the production, including our commentary) had to courier an expensive piece of equipment to me, a version of the same control box that I use when I'm in their studio in Leeds, in England. Those boxes don't grow on trees, and of course I had to test it on Tuesday ahead of my first match on Saturday night, with technicians both in Leeds and DAZN's European transmission center in the Netherlands and with a WTA supervisor listening into my test commentary to make sure everything was satisfactory (particularly in terms of my internet connection speed).
Now...all of us commentators working on the WTA tournaments this week are based in the UK. There are 20 of us just for the WTA events (never mind the ATP events taking place at the same time), most of us working from home with our own control boxes and microphones/headsets/etc. shipped out to us. The commentate-from-home solution for us was designed specifically to take advantage of DAZN's existing infrastructure in Leeds and the Netherlands. In contrast, the
OBS's plans for world feed commentary for the Olympics will involve who knows how many hundreds of commentators from multiple countries (I think mostly in Europe), and I think in multiple languages, and its plans have all been geared toward coordinating everything out of the International Broadcast Center in Tokyo. Is it *possible* that a technological solution could be found to allow everyone to work from home - assuming everyone signed up for the job already has super-fast and mostly reliable broadband like I do - despite the vast distances between the majority of us not already based in Asia and the IBC in Tokyo? Perhaps, but almost certainly at great expense and without a foolproof workflow established by July. Many networks around the world will normally cover the Olympics using domestically based commentators, usually in a central studio location (like for example I commentated out of London for Eurosport on the 2018 Winter Olympics) but in these COVID times possibly from home...but they are normally only responsible for covering a portion of the events, not every last event and match across every sport, and they can all operate within those networks' existing infrastructure. It's really the volume of events across every sport and the infrastructure required to transmit them successfully that really makes the task so difficult, and even little things like having access to the official Olympic stats feed in real time (and not with a small delay as you almost certainly would at home) will make a big difference in how professional everything will sound. When I did the Winter Olympics hockey three years ago, and this stats feed was properly wired into the Eurosport studios, I can't tell you how great it was to have the players responsible for goals/assists and penalties as well as all other stats and timings flash up exactly as they did in the stadium I was watching, instead of having to use my normal trick of following the stats feed off of a betting website with a not-insignificant delay. And that was hockey, not a sport where knowing the split-second timings or scorings can make all the difference to how the commentary might come across.
I could be wrong about all of this, by the way. Maybe the OBS is seriously considering work-from-home arrangements right now, and that if push comes to shove I might find myself working through the middle of the night again this July (but from home instead of London). But I haven't heard any suggestion that this might happen from my OBS handlers. Instead, I find myself wondering if I might have to fly to Tokyo two weeks earlier than planned and go through a 14-day quarantine similar to what the tennis commentators now in Melbourne to call the Australian Open onsite are curerntly going through. That seems more realistic than the alternative, even given the additional costs that might entail for the OBS (and IOC).