I've only seen a couple of "30 for 30"s, not because I don't think they are good, but just because I haven't had the time/opportunity to yet. I do think they are a good idea, and Simmons deserves credit for whatever his input was into them.
But, at the same time, I think people here are grossly inflating what that input actually is. He's an executive producer. So is John Dahl. So is Connor Schell. So is Joan Lynch (26 episodes). And there are about two dozen other producers for a smaller number of episodes. The 30 for 30 shorts are done in conjunction with Grantland, which Simmons is ostensibly in charge of, yes. But again: he's not writing the things, or directing them, or editing them. Do people who watch Mad Men credit the CEO of AMC for the great series? No. They credit Matthew Wiener.
Again, he's obviously had some role, and that's great. Way to go, Bill. But let's stop talking about him like he's the Francis Ford Coppola of sports films.
But, at the same time, I think people here are grossly inflating what that input actually is. He's an executive producer. So is John Dahl. So is Connor Schell. So is Joan Lynch (26 episodes). And there are about two dozen other producers for a smaller number of episodes. The 30 for 30 shorts are done in conjunction with Grantland, which Simmons is ostensibly in charge of, yes. But again: he's not writing the things, or directing them, or editing them. Do people who watch Mad Men credit the CEO of AMC for the great series? No. They credit Matthew Wiener.
Again, he's obviously had some role, and that's great. Way to go, Bill. But let's stop talking about him like he's the Francis Ford Coppola of sports films.