Yeah, i think the volume is one of the best things on the site. Especially since all these writers are capable of going down rat holes I have no particular interest in, it would probably be pretty difficult if they were deep diving on something i don't find interesting and that means grantland is just useless to me for the day
I feel in order for the "deep dive" to have some substance, the writer needs time - research, spending time observing a subject or a scene, ruminating, connecting dots. This can take days, weeks, or more. The Ebert profile everybody loves (including me) by Chris Jones took weeks to come together, and relied on crucial character observations over that time. Even Klosterman's most successful essays were germinating for years in his head until he collected the thoughts and threads together.
The Simmons style, in contrast, is to rapidly expurge a high volume of content as a quick reaction to an event. This has worked in his favor when a) he writes something funny, or insightful, or delightful - and admittedly, especially early in his career, his batting average was very high in this regard, or b) a rapid reaction was the best way to capture the fan essence at a particular moment (like right before and right after the Super Bowl in '02). Rumination and long-form insight is not his game; snap emotional capture is. He obviously knows this - that's why even pieces where he could spend time to form nuanced, well-built opinions are often written as "retro-diaries" - he actually pretends to be rewatching a live event in order to make his style work even when the window for it has passed.
However, Simmons does have good taste for the stuff that he can't do - long-form, in-depth, well-researched, observed, and thought-out pieces of journalism that cross over into literature. He can't write it, but he gets it. He hired some of the best creators of it for Grantland. What I'm saying is, and this ties into the footnote critique earlier, my concern is that he's got this menagerie of talent that he's essentially instructing to produce content on his rapid schedule. And that's just not how to get the best content out of these guys. The Chris Jones Lackey article, for instance, didn't approach the Ebert piece. Now, the case can be made that Ebert is more compelling, but really, there are compelling human stories to be told about each. I would have loved to have seen a long-form character observation piece about John Lackey after few weeks of observation, some carefully taken interviews, and some digging. it could have been really deep. As it was, it just got to the first level beneath the surface regarding what makes him an interesting guy. It was of course well written, but it's not why you hire Chris Jones. If I want a beat blogger's take, I'd rather just have Simmons (or a Simmons clone) do that stuff.
I really want Grantland to be like the "Best Sportswriting Annual" paperbacks that come out each year. Instead, I'm seeing mostly good ideas without the time to make them great (and a few bad ideas executed as well as they could have been). I don't want to read good writers going down rat holes that end up with a little bit of subject study and a lot of Simmons-esque self-reference. I'd prefer the stuff that reads like literature. Just one guy's opinion.