The Marathon Sports store, at the finish line ... bought five pairs of shoes there, including the one I used for the 2010 half-marathon I ran.
Can we just stop for a minute and admire the terrible prose here?
1) The completely unnecessary and distracting useage of the ellipsis. The correct punctuation would probably have been a semi-colon, but even simply inserting an "I" would be clearer and less cheesily melodramatic.
2) The redundant useage of "I" after the comma. "The shoes I USED for the 2010 half-marathon I RAN."
3) The unnecssary comma before "at the finish line."
Jesus. Even applying some simple, 9th grade level editing gives us:
"I bought five pairs of shoes at the Marathon Sports store at the finish line, including the one I used for a 2010 half-marathon."
Friendly, helpful and encouraging to a decidedly out-of-shape guy like me.
What was? The pair of shoes? The Marathon? Obviously he's referring to the store, but even then it doesn't make sense. Did the store itself
speak to King?
What is the fucking subject of this sentence?
I get that he's trying to wax poetic here, but that doesn't mean you get to just scrap the rules of grammar. It's like he didn't even bother to proof read this stuff, yet he's passing it off as a labor of love.
That Atlantic Fish restaurant ... ate there four or five times.
Are there missing words in his head that he edited out and replaced with the elipsis? Again, a semi-colon or an M-dash would work here. An elipsis does not.
And before the defenders try to take me down a peg by saying "Oh, who cares, dude, we all know what he means!" Fuck that. He's a
professional writer, for god's sake. This is like a musician showing up with an out-of-tune instrument.
That Abe and Louie's ... drank there a few times. That Lenscrafters ... made the glasses I'm wearing right now.
And, ok, what the fuck? Who the fuck cares? WHO THE FUCK CARES?!
How is this supposed to help people who weren't there, or don't have a personal connection to Boston, relate? By imagining fat Peter King wandering around the scene of the tragedy? How self-absorbed can one guy be?
In fact, when I picked up a pair there once and tied Bailey outside,
they said, "Bring her in!" And so Bailey, my golden retriever, came inand sniffed all the lab techs.
Jesus. King is off the fucking wagon.
Does he really think that relaying a benign anecdote about his dog from three years ago is going to help A) readers not in/from Boston come to understand the tragedy; and/or B) help readers in/from Boston heal a little bit? Because that's the point of these columns, isn't it? To, for once, discuss what's important in life, and how tragedy like Monday's, no matter the geographic location, is really something that should affect us all, because it could have been anyone there, at that moment. It could have been me at a Twins game, it could have been you walking down the street to work. And we should all stop and think about what this means, and how sad it all is that we live in a world where something so unexpected could happen at any time, and that we should work hard to make sure that we all get as many moments on this planet and with our loved ones as possible.
But no. King is pissed off because now, whenever he walks down that block, instead of thinking about how Bailey got to hump a salesman's leg, he has to think of a bombing. What a drag.
And the street ... Boylston Street, where the marathon ends. That's whereI waited for my late brother, Bob, when he ran the marathon 12 years ago, cramping badly at the end.
Again with the elipsis...but moreover, you see, King is just like the victims, because he too has a sad memory of a marathon; his late, cramping, brother.
That's where I waited four years ago for my brother-in-law as he finished, in crowds so thick we couldn't get within 50 yards of the
finish line.
Ok. So King's focus through two paragraphs has been on two things: 1) his personal memories of the area of the bombing; and 2) his family members that have run in the Marathon.
And I'll just stop there. I give up. What a fucking shit face ass clown.